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HONOKAA PEOPLE'S THEATRE 775-0000 Showtimes: 7PM Movie Tickets: $6 Adults, $4 Senior Citizens 65 and older, $3 Children ages 12 and under.
Tuesday, Wednesday, Thursday, Friday & Sunday May 8, 9, 10, 11, 13 - 21 JUMPSTREET Action Adventure & Comedy. 1 hr. 49 min. In the action-comedy 21 Jump Street, Schmidt (Jonah Hill) and Jenko (Channing Tatum) are more than ready to leave their adolescent problems behind. Joining the police force and the secret Jump Street unit, they use their youthful appearances to go undercover in a local high school. As they trade in their guns and badges for backpacks, Schmidt and Jenko risk their lives to investigate a violent and dangerous drug ring. But they find that high school is nothing like they left it just a few years earlier - and neither expects that they will have to confront the terror and anxiety of being a teenager again and all the issues they thought they had left behind
Saturday May 12 7-10 pm - HAWAII COMEDY CHURCH HAWAII COMEDY CHURCH AMATEUR COMEDY COMPETITION
Tuesday, Friday, Saturday & Sunday May 15, 18, 19, 20 - WRATH OF THE TITANS WRATH OF THE TITANS (PG-13) Action, Science Fiction and Fantasy, Mystery and Suspense 1 hr. 39 min. A decade after his heroic defeat of the monstrous Kraken, Perseus-the demigod son of Zeus-is attempting to live a quieter life as a village fisherman and the sole parent to his 10-year old son, Helius. Meanwhile, a struggle for supremacy rages between the gods and the Titans. Dangerously weakened by humanity's lack of devotion, the gods are losing control of the imprisoned Titans and their ferocious leader, Kronos, father of the long-ruling brothers Zeus, Hades and Poseidon. Perseus cannot ignore his true calling when Hades, along with Zeus' godly son, Ares (Edgar Ramírez), switch loyalty and make a deal with Kronos to capture Zeus. The Titans' strength grows stronger as Zeus' remaining godly powers are siphoned...
Wednesday May 16 7:30 pm to 10 pm - POPA CHUBBY POPA CHUBBY
“If there’s one thing I want people to know about me, it’s that I’m a survivor,” says Popa Chubby. “Here’s my story: My dad died when I was seven. I was abandoned and raised myself. I moved to New York City when I was 18 and started playing music. I got a huge heroin habit and ended up strung out on the streets until I was in my early twenties. I started playing again and got away from drugs and never went back, and then I got into the New York blues scene of the early ’90s, and here I am today.” “Here” is at the forefront of modern blues-rock, where the mix of intensity and integrity captured on Popa Chubby’s Back To New York City has made him one of the genre’s most popular figures. And he’s an imposing figure at that, weighing more than 300 pounds with a shaven head, tattooed arms, a goatee and a performing style he describes as “the Stooges meets Buddy Guy, Motörhead meets Muddy Waters, Jimi Hendrix meets Robert Johnson…” You get the picture. And if you don’t, Back To New York City paints it vividly. On the disc’s 11 nasty cuts Popa Chubby has flipped the blues-rock label around, putting rock at the fore and the pedal to the metal with fat, scalding guitar sounds and stories plucked from true life. Some, like the rubber-burning title track and the pleading “A Love That Will Never Die,” are autobiographical tales that channel what’s deep in his blood as well as the fevered pulse of the city Popa Chubby has called home for 30 years. Others, like “Stand Before the Sun” and his sweet ‘n’ sizzling take on Johan Sebastian Bach’s instrumental “Jesus Joy of Man’s Desiring,” chronicle his search for spiritual enlightenment, which has led Popa Chubby to practice Tai Chi and Chi Kung before his sweat-soaked concerts. And then there’s pure shots of fun like the chest-thumping “Warrior Gods,” which thunders along like a long-lost Motörhead gem, and “She Loves Everybody But Me,” a tongue-in-cheek hard-core Texas shuffle that purposefully nods to Stevie Ray Vaughan in its skyrocketing leads and solos. For the prolific Popa Chubby, who was born Ted Horowitz, Back To New York City doesn’t simply capture the fire and energy of his live shows better than the previous 20 albums he’s made since 1994 — which is an impressive accomplishment given his history of house-rocking discs. It represents an entirely new level of his tempestuous, soulful playing. “This is such an inspiring time to be a guitarist, because there are so many great players recording and touring now,” he says. “The bar has been raised, so I’ve had to raise the level of my own performances by necessity, and for this album I went for intensity wall to wall.” While Popa Chubby is clearly a reflective man, he has, indeed, never gone back. His career has always been about moving forward and carving a place for himself in the imposing terrain of the music business, overcoming odds to continue growing and maturing as a creative force, building a constantly increasing base of fans across the world. Before he adopted the name Popa Chubby, Ted Horowitz’s first gigs were in the New York City punk scene starting when he answered an ad in The Village Voice in 1977 for a guitarist and was hired by “this crazy Japanese special effects performance artist in a kimono called Screaming Mad George who had a horror-movie inspired show. So right from the start I was taught about rock ‘n’ roll as theater, and I learned from George and the other bands who were playing CBGB’s at the time — the Ramones, the Cramps, Richard Hell, whose band, the Voidoids, I joined — that rock ‘n’ roll should be dangerous. Musicians like the Ramones and the Sex Pistols weren’t just bands. They were a threat to society. “The blues was always the foundation of my playing style, since I’d grown up on Hendrix, Cream and Led Zeppelin, but when I started playing blues in New York clubs I understood that the blues should be dangerous, too,” he explains. “It wasn’t just from playing in punk bands. Howlin’ Wolf and Muddy Waters were dangerous men. They’d cut or shoot you out of necessity if they had to, and Little Walter packed a gun and wouldn’t hesitate to use it. That danger is a real part of the blues and I keep it alive in my music.” “People look at me and expect a certain thing,” Popa Chubby reflects, “and don’t realize there’s more behind the picture. They see a big, burly guy with tattoos, and they expect to get beat over the head. And you will get beat over the head, but you’ll also get rocked to sleep, and there’ll be poetry in there too.”
Tickets $25, Doors open at 7 pm. Show begins at 7:30.
Thursday, May 17 7:00 pm - FREE - HMS JAZZ HONOKAA INTERMEDIATE JAZZ BAND Come see the many talents of the Honokaa Middle School Jazz Band, rocking the classics from Santana to Duke Ellington and back...
Tuesday, Wednesday, Thursday, Friday and Sunday May 22, 23, 24, 25 & 27 - MIRROR MIRROR MIRROR MIRROR (PG) Family, Fantasy, Mystery and Fairy Tale. 1 hr. 35 min. From fantastical director Tarsem Singh comes one of the most beloved stories of all time, come to life in the motion picture event for the whole family, Mirror Mirror. A fresh and funny retelling of the Snow White legend, Mirror Mirror features breakout star Lily Collins as Snow White, a princess in exile, and Julia Roberts as the evil Queen who ruthlessly rules her captured kingdom. Seven courageous rebel dwarfs join forces with Snow White as she fights to reclaim her birthright and win her Prince in this magical comedy filled with jealousy, romance, and betrayal that will capture the hearts and imaginations of audiences the world over. The film also stars Armie Hammer as the Prince, and Nathan Lane as the hapless and bungling servant to the Queen.
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